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Julie Driscoll, Brian Auger & The Trinity – Streetnoise (2LP)

34,90 
Format LP
Label SOUL BANK MUSIC
Availability In stock

Το προϊόν είναι άμεσα διαθέσιμο και έτοιμο για αποστολή ή παραλαβή από το φυσικό κατάστημα κατόπιν παραγγελίας ◆ Τhe product is immediately available and ready to be shipped or picked up from the physical store right after your order.
Release Date 07/03/2025

Brian Auger’s Streetnoise, recorded in 1969 with Julie Driscoll and The Trinity, stands as a landmark of late 1960s eclecticism, where the boundaries of jazz, rock, folk, and soul blur into a cohesive, genre-defying masterpiece.

Auger was moving The Trinity on from their R&B, jazz beginnings and for Streetnoise, together with Driscoll, delivered a record that channelled their mutually progressive vision. Julie’s haunting vocal performances were the perfect counterpoint to Auger’s innovative instrumentation, creating a sound that was both avant-garde yet deeply soulful. “We aimed to challenge expectations, ” Auger recalls. “Every track was a canvas to experiment and push the envelope.”

The album’s gatefold sleeve design, created by Ralph Steadman, inspired by William Hogarth’s 18th-century satirical etchings, was as groundbreaking as its music. This was not just a cover, it was a bold statement about art and society, perfectly mirroring the music’s blend of historical reverence and forward-thinking innovation.

Musically, Streetnoise is a kaleidoscope of styles including jazz and R&B, fusion, folk, rock and gospel flourishes. “Ellis Island” and “Finally Found You Out” are both intense instrumentals that embody the intense fusion of jazz and rock the group was known for. “Indian Rope Man” is one of the standout tracks. A cover of Richie Havens’ original, that inspired The Charlatans ‘Indian Rope’ and All Blues, a bold reinterpretation of Miles Davis’ iconic Kind of Blue masterpiece, on which Driscoll’s vocal performance may be the highlight. “Flesh Failures (Let the Sunshine In)” is a hauntingly beautiful cover of the finale from the musical Hair. Auger’s own compositions from the opening instrumental ‘Tropic Of Capricorn’, to the introspective solo piano and vocal Looking In The Eye Of The World’ display Brian’s multiple talents.

Celebrated for its fearless creativity across all 16 tracks, the album is testament to Brian Auger and Julie Driscoll’s visionary artistry. It remains a must-listen for anyone exploring the dynamic intersections of jazz, rock, and soul. The album’s reputation has only grown with time, cementing its legacy as a cornerstone of experimental music.

Streetnoise; A wholly unique album from an equally unique group.

A1. Tropic of Capricorn
A2. Czechoslovakia
A3. Take Me To The Water
A4. A Word About Colour

B1. Light My Fire
B2. Indian Rope Man
B3. When I Was A Young Girl
B4. Flesh Failures (Let the Sunshine in)

C1. Ellis Island
C2. In Search Of The Sun
C3. Finally Found You Out
C4. Looking In The Eye Of The World

D1. Vauxhall To Lambeth Bridge
D2. All Blues
D3. I’ve Got Life
D4. Save The Country