Blake Edwards’ decision to open his comic crime film with an animated Pink Panther sequence remains a stroke of cinematic brilliance. By entrusting a budding animation studio with the task, Edwards paved the way for a creative masterpiece: the transformation of a lifeless diamond into a charismatic pink panther, whose sly charm and mischievous antics guide a hapless detective through a series of escapades, all underscored by Henry Mancini’s unforgettable Pink Panther Theme.

Mancini’s musical genius didn’t stop at the theme. The snow-covered elegance of Cortina d’Ampezzo is brought to life through a vibrant mix of musical styles. His love of dance rhythms manifests in the samba (“It Had Better Be Tonight”), the shuffle (“Champagne and Quail”), and the cha-cha (“Something for Sellers”). More intimate moments emerge with the tender ballad (“Royal Blue”), played by muted trumpet and saxophone, and the refined simplicity of “Piano and Strings.”

Adding a layer of Parisian charm, Mancini masterfully weaves in the sound of the accordion, conjuring the romantic spirit of musette and the Bohemian allure of Paris. Subtle, sophisticated, and utterly delightful, Mancini’s music mirrors the panther’s graceful movements. And for those left wanting more, Mancini’s genius continues in the enchanting score of Breakfast at Tiffany’s (RCA LSP 2362).

1. The Pink Panther Theme
2. It Had Better Be Tonight (Meglio Stasera) (Instrumental)
3. Royal Blue
4. Champagne and Quail
5. The Village Inn
6. The Tiber Twist
7. It Had Better Be Tonight (Meglio Stasera) (Vocal)
8. Cortina
9. The Lonely Princess
10. Something For Sellers
11. Piano and Strings
12. Shades of Sennett